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1:00 PM
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1:55 PM
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Introduction / Combo Auditions
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MPR
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Rhythm Section
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206
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Brass
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219
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Woodwinds
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230A
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Voice Clinic
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218
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Voice Auditions
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214
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2:00 PM
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2:30 PM
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"What is Jazz?" (everybody)
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MPR
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2:30 PM
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3:25 PM
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Combo Intro Mtg.
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TBA
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Bill Evans Combo
|
204
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Hank Mobley Combo
|
205
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|
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Kenny Garrett Combo
|
214
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Sonny Rollins Combo
|
219
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Lee Morgan Combo
|
230B
|
|
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Tadd Dameron Combo
|
218
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Duke Ellington Combo
|
206
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Combo
|
227
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|
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Blue July Combo
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MPR
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Full Vocal Group - Vocal Tech
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230A
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3:30 PM
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4:25 PM
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Instrument Classes
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Piano Advanced
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204
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Piano Beginner
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205
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Bass
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Elevator
|
|
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Drums
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MPR
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|
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Woodwind Advanced
|
201
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Woodwind Beginner
|
230B
|
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Brass Advanced
|
219
|
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Brass Beginner
|
218
|
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Guitar
|
212
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Voice
|
230A
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|
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4:30 PM
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5:30 PM
|
Formal Workshop Introduction
|
MPR
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TUESDAY
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1:00 PM
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1:55 PM
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Improvising I Clinics - Harmony
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Level 1
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Easy Improvising First Steps
|
219
|
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Level 2
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Improvising over One Chord
|
206
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Level 3
|
Improvising over a Chord Progression
|
218
|
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Level 4
|
Improvising Through Unrelated Chords
|
204
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In class or private session with student
|
-
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2:00 PM
|
3:15 PM
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Combos and Vocal Workshop
|
|
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Bill Evans Combo
|
204
|
|
|
|
Hank Mobley Combo
|
205
|
|
|
|
Kenny Garrett Combo
|
214
|
|
|
|
Sonny Rollins Combo
|
219
|
|
|
|
Lee Morgan Combo
|
230B
|
|
|
|
Tadd Dameron Combo
|
218
|
|
|
|
Duke Ellington Combo
|
206
|
|
|
|
Combo
|
227
|
|
|
|
Blue July Combo
|
MPR
|
|
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Vocal Jazz Workshop
|
230A, 201, PR
|
|
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3:30 PM
|
4:25 PM
|
Feel / Groove / Time Clinics
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|
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Level 1
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Importance of Articulation
|
219
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Level 2
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How to Understand Form in Jazz
|
206
|
|
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Level 3
|
How to Have a Better "Feel"
|
218
|
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Level 4
|
How to Improvise Over Odd Time-Signatures
|
204
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-
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4:30 PM
|
5:30 PM
|
Instrumental Master-class
|
|
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Olman Piedra - drums
|
MPR
|
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Vocal Jazz Workshop
|
230A, 201, PR
|
|
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WEDNESDAY
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1:00 PM
|
1:55 PM
|
Improvising II Clinic - Phrasing
|
|
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Level 1
|
Using Repetition in your Improvising
|
219
|
|
|
Level 2
|
Using Repetition and Sequencing in Improv
|
206
|
|
|
Level 3
|
Varying Phrase Length and Playing Over the Bar
|
218
|
|
|
Level 4
|
Phrasing with Bebop Scales
|
204
|
|
|
|
|
-
|
|
|
|
|
|
|
2:00 PM
|
3:15 PM
|
Combos and Vocal Workshop
|
|
|
|
|
Bill Evans Combo
|
204
|
|
|
|
Hank Mobley Combo
|
205
|
|
|
|
Kenny Garrett Combo
|
214
|
|
|
|
Sonny Rollins Combo
|
219
|
|
|
|
Lee Morgan Combo
|
230B
|
|
|
|
Tadd Dameron Combo
|
218
|
|
|
|
Duke Ellington Combo
|
206
|
|
|
|
Combo
|
227
|
|
|
|
Blue July Combo
|
MPR
|
|
|
|
Vocal Jazz Workshop
|
230A, 201, PR
|
|
|
|
|
|
|
3:30 PM
|
4:25 PM
|
Ear Training Clinics
|
|
|
|
Level 1
|
How to Listen to Jazz
|
219
|
|
|
Level 2
|
How to Transcribe a Phrase
|
206
|
|
|
Level 3
|
Understanding the Context of a Jazz Solo
|
218
|
|
|
Level 4
|
Optimizing the Transcription to Performance
|
204
|
|
|
|
|
-
|
|
|
|
|
|
|
4:30 PM
|
5:30 PM
|
Instrumental Master-class
|
|
|
|
|
Gene Parker - saxophone / piano
|
MPR
|
|
|
|
Vocal Jazz Workshop
|
230A, 201, PR
|
|
|
|
|
|
|
THURSDAY
|
|
|
|
|
|
|
|
|
|
1:00 PM
|
1:55 PM
|
Improvising III Clinics - Performance
|
|
|
|
Level 1
|
How to Use a Lead Sheet to Perform Jazz
|
219
|
|
|
Level 2
|
How to Sit in at a Jam Session
|
206
|
|
|
Level 3
|
How to Create a Bandstand Arrangement
|
218
|
|
|
Level 4
|
Two-Person and Collective Improvisation
|
204
|
|
|
|
In class or private session with student
|
-
|
|
|
|
|
|
|
2:00 PM
|
3:15 PM
|
Combos and Vocal Workshop
|
|
|
|
|
Bill Evans Combo
|
204
|
|
|
|
Hank Mobley Combo
|
205
|
|
|
|
Kenny Garrett Combo
|
214
|
|
|
|
Sonny Rollins Combo
|
219
|
|
|
|
Lee Morgan Combo
|
230B
|
|
|
|
Tadd Dameron Combo
|
218
|
|
|
|
Duke Ellington Combo
|
206
|
|
|
|
Combo
|
227
|
|
|
|
Blue July Combo
|
MPR
|
|
|
|
Vocal Jazz Workshop
|
230A, 201, PR
|
|
|
|
|
|
|
3:30 PM
|
4:25 PM
|
Aesthetics of Jazz Clinics
|
|
|
|
Level 1
|
How to Build Confidence to Perform
|
219
|
|
|
Level 2
|
Immerse Yourself in Practice
|
206
|
|
|
Level 3
|
Short and Long Term Goals in Jazz
|
218
|
|
|
Level 4
|
How to Rise Above Your Inner-Demons
|
204
|
|
|
|
|
-
|
|
|
|
|
|
|
4:30 PM
|
5:30 PM
|
Instrumental Master-class
|
|
|
|
|
Randy Napoleon - guitar
|
MPR
|
|
|
|
Vocal Jazz Workshop
|
230A, 201, PR
|
|
|
|
|
|
|
FRIDAY
|
|
|
|
|
|
|
|
|
|
12:00 PM
|
1:00 PM
|
Group Photo and T-Shirt Distribution
|
MPR
|
|
|
|
|
|
|
1:00 PM
|
1:55 PM
|
Jazz Listening Room
|
|
|
|
|
Music to Start Your Collection
|
218
|
|
|
|
What Should I Be Specifically Looking For?
|
219
|
|
|
|
Develop an Appreciation for Jazz History
|
206
|
|
|
|
Monumental Solos from Each Jazz Instrument
|
212
|
|
|
|
Bebop: A Revolution in Jazz
|
204
|
|
|
|
Early Jazz
|
205
|
|
|
|
Modern Fusion
|
230A
|
|
|
|
Full Circle: Hip Hop Samples from Jazz
|
MPR
|
|
|
|
Classic Jazz Singers
|
230B
|
|
|
|
Contemporary Jazz Singers
|
201
|
|
|
|
|
|
|
2:00 PM
|
3:15 PM
|
Combos and Vocal Workshop
|
|
|
|
|
Bill Evans Combo
|
204
|
|
|
|
Hank Mobley Combo
|
205
|
|
|
|
Kenny Garrett Combo
|
214
|
|
|
|
Sonny Rollins Combo
|
219
|
|
|
|
Lee Morgan Combo
|
230B
|
|
|
|
Tadd Dameron Combo
|
218
|
|
|
|
Duke Ellington Combo
|
206
|
|
|
|
Combo
|
227
|
|
|
|
Blue July Combo
|
MPR
|
|
|
|
Vocal Jazz Workshop
|
230A, 201, PR
|
|
|
|
|
|
|
3:30 PM
|
5:00 PM
|
Combo Mini-Performance (Instrumentalists)
|
MPR
|
|
|
|
Vocal Jazz Workshop
|
230A, 201, PR
|
|
|
|
|
|
|
5:00 PM
|
5:30 PM
|
Workshop Closing
|
MPR
|
