2020 Workshop on July 6-10 is virtual this year!
Hello to everyone coming to the workshop this year. If that is you or you are interested in attending, there will ABSOLUTELY be a workshop this summer from July 6-10. The crisis doesn't allow for a physical gathering, so we will hold the workshop in the virtual world with the assistance of Zoom and Google Classroom.
How will a virtual workshop be possible?
We will be able to provide 95% of the planned content with the same expertise of some of the best jazz educators and performers around. We will still have theory, improv, electives, and even a chance to network over lunch in our virtual meet-space. We will even have a virtual performance, with combos preparing tunes by participants in their homes. To see how this combo performance works out, please see our version of this with Scott's Oakland University vocal ensemble:
We will prepare a similar group project(s) during the week and present a virtual concert for a watch party for family and friends. You get to study jazz from your office or living room, and best of all, beat the boredom of quarantine and do productive things to make you a more creative, more skilled jazz musician! There still are limits for certain instruments, so enroll now, and save your spot. See you in July...
Incredible pianist Xavier Davis will be one of our master-clinicians this summer! Xavier, one of the best pianists around, a veteran of the Betty Carter and Tom Harrell bands, now an educator at MSU and one of the most in demand players will be giving a master-class at this
year's jazz workshop on July 8.
Master bassist and arranger, John Clayton will be one of our master-clinicians this summer! John, the co-leader of the Clayton-Hamilton Jazz Orchestra and leader of the Clayton Bros. Quintet will bring his wisdom to our workshop for a master-class on July 9. Don't miss this!
Bass professor and co-director of the University of Toledo jazz program, Norm Damschroder will be a guest master-clinician at the workshop this year. Norm brings experience in teaching and performing and will present something interesting to all of the instrumentalists.
The uber-talented couple, Matt and Atla DeChamplain will be giving instrumental and vocal master-classes this summer! Matt is an excellent pianist and educator in the Connecticut area. He is a specialist in early jazz piano, including music of Duke Ellington and Fats Waller. Atla is an innovative jazz vocalist and teacher, also in Connecticut, who is as at home improvising as interpreting standards.
Mark Byerly, a jazz trumpeter who now adds recording and producing to his resume, will give a masterclass on recording yourself and using 21st technology in jazz. Mark has worked over the years with artists such as Justin Timberlake, Bob Seger, and Abbey Lincoln.
Karim Gideon, Detroit trumpeter and former student of the legendary Teddy Harris Jr, will be giving a jazz history master-class on the historical and cultural origins of jazz and blues to today's complexities in the 21st century.
High School / Adults- 10am to 5pm
Middle School- 1 to 4pm
Welcome to the internet home of the Detroit Jazz Workshop. This is your opportunity to learn about and sign up for an educational and fun experience for a week in July.
The DJW is instructed by some of the best musicians in the region, most being respected university instructors and all top-level professionals. The DJW services all ages, levels, and backgrounds and is open to any instrument, traditional or not. This includes vocalists.
WHO CAN TAKE PART IN THE JAZZ WORKSHOP?
HOW CAN ALL OF THESE TYPES STUDY TOGETHER?
The DJW has an incredibly diverse array of classes and clinics, starting at beginner to advanced level. The only commonality is that everyone learns about improvisation and performs with students of like-experience in a jazz concert at the end of the week.
WHAT IS OFFERED TO STUDENTS?
WHAT IS OFFERED TO MIDDLE SCHOOL STUDENTS?
WHAT IS THE COST TO ATTEND WORKSHOP?
WHERE AND WHEN IS THE WORKSHOP?
For people in SE Michigan, this an affordable alternative to out of town camps like Interlochen, Jamey Aebersold, and Blue Lake. You don't have to take a complete, room and board vacation to attend the DJW. If you are from out of town, we can assist in advice for arrangements food, lodging, and travel.
Please take some time and browse this site. Check out photos from past years, instructor bios, testimonials, past guest artists, and class/clinic descriptions. Feel free to ask any questions.
You can reserve your spot with a $50 application fee, payable online on Paypal or through check by mail. Tuition is due at workshop registration. There is limited room available, and enrollment is first come first serve. Make your plans now for yourself or the musician in your life who would benefit from a creative, educational, fun experience.
See you in July,
Director, Detroit Jazz Workshop
The Metro-Detroit Jazz Workshop is hosted by MSU's Community Music School
The MDJW has been featured on:
July 6 to 10
Concert on Mon July 13
Cliff Bells Jazz Club
Detroit Jazz Workshop
Michigan St. University
3408 Woodward Ave, Detroit MI 48201
(Midtown, just south of Mack Ave)
(for MDJW, call 313-570-3002)
40534 Aynesley St.
Clinton Township, MI 48038
High School / Adult
July 6 to 10
Concert on Sun July 12
Cliff Bells Jazz Club
STUDENTS, WHAT DID YOU ENJOY MOST ABOUT THE Detroit Jazz Workshop?
-I enjoyed being able to talk to the faculty individually and there being enough free time for them to allow those types of one-on-ones. - Professional bassist
-Listening to really good musicians play.- High school trumpeter
-I honestly had such an amazing week. I went to a camp at a university for saxophone last year and did not gain nearly as much knowledge there as I did in the just the first day of MDJW. I loved the master clinic with Damani Phillips. It was great to meet him and network a little bit. Skip Norris was fantastic also. I also loved how we could decide which classes to go to for improv and theory because I am somewhere in the middle of advanced and intermediate-it was perfect for me to customize my own schedule. Speaking of which, I loved Miles Brown's lectures on Free Improv-I gained so much knowledge from those sessions. Scott Gwinnell’s theory classes really helped me visualize the basics of jazz theory that I have never really been taught before. Overall I am so happy I did this, I am so excited to use the tools I learned and become an even better jazz musician.
- College jazz studies alto saxophonist
-Meeting new friends with similar interests. - Amateur adult guitarist
-So many good vibes! Nothing but that! - High school bassist
-Talking with staff, especially Wayne State University faculty. Motivated me to register for some classes there. - Amateur adult drummer
-The mix of ages and levels of the participants and the accessibility of the instructors. Great variety of subject matter to choose from.
- Amateur adult electric bassist
-There is not enough space to go into all of the things I enjoyed about the workshop. Suffice to say I had very high expectations that were exceeded ten fold! The faculty were encouraging, helpful, extremely knowledgeable and very accessible. I was humbled by all I don't know and inspired to work harder for next summer's session. I leave the workshop reinvigorated to step outside of my comfort zone and just go for it. Very special thanks for Delaine Gwinnell for all her incredible hard work and terrific attitude, she was the glue that held everything together. - Amateur adult electric bassist
-It was a real learning experience. - Amatuer adult pianist
-Learning chords and how they can be applied to solos.
- High school alto saxophonist
-My combo, instruction by Russ Miller, master classes.
- Amateur adult baritone saxophonist
-The incredible information that the instructors shared as well as the opportunity to listen to the musicians and to play. - Amateur adult flutist
-My teachers were fun and knew what they were doing. Jordan Schug and John Hill were great. Legitness was legit. - Middle-school guitar student
-I have to say.....what I enjoyed most was singing at Cliff Bell's. For me, as a professional wanna be, I feel it is an honor and a thrill not only to sing.....but to be accompanied by the finest musicians in the metro Detroit area!
- Amateur adult vocalist
-As for the overall structure of the workshop, I like the way classes were set up according to level....blue, green, red...making it easier to make the best choice for ourselves. Also, having the option to move to another class if we feel it necessary is good. - High school pianist
-I enjoyed the instrument classes the most because it gave the most information and taught me the most about how to better play jazz throughout the week.
- Amateur adult bassist
Teaching, working with April Tini, working with the students, being around Scott and Delaine Gwinnell, and meeting such wonderful musicians. I can't thank you enough for including me. Needless to say I would LOVE to do it again next year!!! - Professional vocalist
-I got great exposure to jazz. Instructors and fellow students were consistently helpful and supportive. I was poorly prepared for playing my instrument at the level required, This didn't seem to matter to anyone. i got great tips on how to practice and become more proficient before Jazz Week VIII. I thoroughly enjoyed interacting, musically and in conversation, with the faculty and fellow students. thanks for the experience! - Adult amateur acoustic bassist
-I'm very frugal with spending money for music education. I could have gone 2 hours a day instead of 7 and still got my money's worth. I look for blind spots -- areas that I never considered studying because I did not know they existed. It is also very useful to be reminded of lessons that I've neglected from the past.
- Adult amateur electric bassist
-Being surrounded by such knowledgeable teachers who were so open about sharing info. There was no feeling of competition or winning and losing. We all get enough of that on the outside, so it was refreshing to have a break from it. That said, there was still a feeling that everyone was trying to do their best, and this came as a result of the respectful encouragement of the staff.
- Professional vocalist
-I can't say enough good things about this experience. Scott and Delaine you are treasures for our Detroit music community. Thank you! - Professional harpist
-Playing with and hanging out with the other guys in my combo - High school alto saxophonist
-(I enjoyed) Playing the drum set. - High school drummer
-(I enjoyed the) Master classes. - Retired professional electric bassist
-I loved how much the vocal workshop has grown over the years. This time, we had a pretty large group and many awesome singers. We also had more time to work with the vocal instructors this year. This was very helpful in the development of each of the singers. - College vocal music student
-Meeting some really cool pros and future pros and feeling more confident playing in front of heavy players. - College jazz studies major, drummer
-Terrific program. I have enough material to practice until next year.
- Amateur adult alto saxophonist
-What I enjoyed most about the workshop was playing in the Jobim combo.
- High school drummer
-The amazing professors and musicians helping there. - High school euphonist
- (I enjoyed) Russ Miller's teaching. - Amateur adult alto saxophonist
- I enjoyed working with the vocalists every day and helping them achieve their personal goals. April Tini and Susan Tobocman were very accommodating and complimented each other well. They both have more than enough experience, but it is different from each side. Susan comes from a very performance based education, while April comes from a traditional music education background and teaching background. Susan helped students express themselves while April made sure that they could communicate well on the bandstand. These are all very valuable for singers just starting out. - College jazz studies student, vocalist
- Playing and connecting with jazz musicians from all over Michigan and the country. - High school drummer
-In general, it was really inspiring to be immersed in jazz for a week and to meet more professional musicians and fellow students. A couple highlights for me include participating in the master-class with Chris Buzzelli and the green composition class when we experimented with each other's original ideas. I also really enjoyed Russ Miller's simple structures class. I feel like there's enough for a lifetime in each one of those sessions.
- College student of another major, guitarist.